Deep-zoom viewer. Use plus and minus to zoom, arrow keys to pan, zero to reset, and f for full screen.

Pan & zoom · full image
The Met

Seated Nude Young Man in Nearly Frontal View

Guercino (Giovanni Francesco Barbieri) · ca. 1618

Print not available: print-grade image dimensions unavailable.

Artist
Guercino (Giovanni Francesco Barbieri)
Date
ca. 1618
Medium
Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper
Collection
The Metropolitan Museum of Art
View at The Met Open full image
Rights & clearance CC0

CC0 1.0 Public Domain Dedication

What you may do with this work:

  • Commercial reproduction Yes CC0 public-domain dedication permits all uses, including commercial.
  • Derivative works Yes CC0 public-domain dedication permits modification and derivative works.
  • Attribution required No CC0 public-domain dedication requires no attribution as a condition of reuse.

This reflects the licence the source museum published, read by the open engine. Rights can change and institutional terms can qualify a licence, so confirm at the source before any commercial use.

Download clearance record What is this?
Cite this work

Generated by the open engine. Copy a ready-made citation:

Caption museum-label convention

Guercino (Giovanni Francesco Barbieri), Seated Nude Young Man in Nearly Frontal View, ca. 1618. Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper. The Metropolitan Museum of Art, CC0. https://www.metmuseum.org/art/collection/search/365246

Full footnote / bibliography

Guercino (Giovanni Francesco Barbieri), Seated Nude Young Man in Nearly Frontal View. ca. 1618. The Metropolitan Museum of Art. CC0. https://www.metmuseum.org/art/collection/search/365246.

Short inline reference

Seated Nude Young Man in Nearly Frontal View (Guercino (Giovanni Francesco Barbieri), ca. 1618)

More from The Met
Arthur Pond, A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
CC0Pond
Guercino (Giovanni Francesco Barbieri), A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl)
A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl)
CC0Barbieri)
Guercino (Giovanni Francesco Barbieri), Half-Figure of a Nude Man Facing Right
Half-Figure of a Nude Man Facing Right
CC0Barbieri)
Guercino (Giovanni Francesco Barbieri), Portrait of Morose Man in Half-Length
Portrait of Morose Man in Half-Length
CC0Barbieri)
Francesco Bartolozzi, Guercino Self-Portrait
Guercino Self-Portrait
CC0Bartolozzi
Fra Carnevale (Bartolomeo di Giovanni Corradini), The Birth of the Virgin
The Birth of the Virgin
CC0Corradini)
Guercino (Giovanni Francesco Barbieri), Seated Nude Young Man in Nearly Frontal View